2014 Reprint of 1952 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. Chekov has recorded the results of his many years of experimenting, testing and verifying in the professional theater and schools of theater. He brings to the actor far greater insight into himself and the character he is to portray, which enables him to approach any role with new ease and skill. Chekhov was told by Stanislawsky to organize his observations and thoughts and present them to his audience. Preface by Yul Brynner. Illustrated by Nicolai Remisoff.
Internationally-renowned directing coach Weston demonstrates what constitutes a good performance, what actors want from a director, what directors do wrong, script analysis and preparation, how actors work, and shares insights into the director/actor relationship
An Actor Prepares is the most important acting manual ever written and one that has influenced actors from James Dean to Marlon Brando. This new edition in the Bloomsbury Revelations series will mark the 150th anniversary of Stanislavskis birth.
Uta Hagen, internationally renowned actress and author, has writen a major new book that is sure to be welcomed in the field of acting. Actor´s World covers voice techniques, timing, and rhythm. It teaches how to establish the identity of a character, how to use physical senses and inner objects, and much more.
Inspired by Alcoholics Anonymous´s 12 Steps and 12 Traditions, Actors Anonymous is a dark, genre-bending work that mixes memoir and pure invention in an audacious examination of celebrity, acting and the making of fiction. Actors Anonymous is unsettling, funny and personal - a series of stories told in many forms: a McDonald´s drive-thru operator who spends his shift trying on accents; an ex-child star recalling a massive beachside bacchanal; hospital volunteers putting a camera in the hands of a patient obsessed with horror films; a vampire-flick starlet who discovers a cryptic book written by a famous actor, who may have killed his father and gone on the run. The book contains profound insights into the nature and purpose of acting. Franco mercilessly turns his ´James Franco´ persona inside out while, at the same time, providing a fascinating meditation on his art, along with nightmarish tales of excess. ´Hollywood has always been a private club,´ he writes. ´I open the gates. I say welcome. I say, Look inside.´ Franco´s writing is vivid and disturbing, but what distinguishes his work is the great compassion he extends towards his characters, who he presents in all their raw humanity, while at the same time providing insight into their deeper selves.
A Hollywood coach introduces a twelve-part acting method that has been utilized by some of today´s top stars and draws on the traditions of performance masters, sharing behind-the-scenes anecdotes while explaining how to apply her techniques to create genuine characters, disseminate scripts, and audition effectively. Reprint. 20,000 first printing.
William Esper, one of the leading acting teachers of our time, explains and extends Sanford Meisner´s legendary technique, offering a clear, concrete, step-by-step approach to becoming a truly creative actor.Esper worked closely with Meisner for seventeen years and has spent decades developing his famous program for actor´s training. The result is a rigorous system of exercises that builds a solid foundation of acting skills from the ground up, and that is flexible enough to be applied to any challenge an actor faces, from soap operas to Shakespeare. Co-writer Damon DiMarco, a former student of Esper´s, spent over a year observing his mentor teaching first-year acting students. In this book he recreates that experience for us, allowing us to see how the progression of exercises works in practice. The Actor´s Art and Craft vividly demonstrates that good training does not constrain actors´ instincts?it frees them to create characters with truthful and compelling inner lives.
Stand Out from the Competition! How do actors sell their personality? What does it take to make a lasting impression? How can actors use their image to achieve their dreams? The Actor´s Guide to Self-Marketing answers all these questions and more. With a background in acting and publicity, author Carla Renata has gathered insider info and proven tips to help actors create their own brand and utilize it for success. With The Actor´s Guide to Self-Marketing, you will learn how to: Highlight unique traits and skills Distinguish yourself from the crowd Market yourself through social media Angle for your dream role And so much more! Renata´s methods have been tested and developed through her branding and social media program, The Branding Buddha, which has been taught online and privately, as well as in group classes at top universities in the United States. Along with tips from her program and extensive background in the field, Renata uses meditative practices and self-actualization to help actors develop their public image and reach their goals with clarity and intention. As she writes, ´´The mind is everything. What you think, you will become.´´ With The Actor´s Guide to Self-Marketing, you´ll be well on your way to becoming the actor you really want to be and landing your dream roles.
This study offers a brief counter-note to the dominant functional analyses of voluntary action present in much of the current civil society discourse. It is argued that a functional approach, while explicating the structure of voluntary action at sector and organisational level, is challenged in offering a sufficient explanation of voluntary action at the level of the individual. Definitional difficulties regarding the volunteer and the voluntary organisation, and the demand-sided emphasis in the presentation of the relationship between organisation and individual are seen as symtomatic of this problem. A paradigmatic barrier to the exploration of the relationship between human agency and voluntary action is argued to lie at the core of the issue. Despite an an increasing body of research into volunteering which draws attention to individual reflexivity, value expression, and a concern with self-enactment, such work is not gathered yet as a coherent and alternative voice. In this study the ´putative agency´ of the individual is placed at the centre of the research proposition so as to examine the subjective experience relative to enagement in voluntary action. An interpretative approach is used for gathering the life-stories of individuals who have contributed significantly to the establishment and development of a variety of Civil Society Organisations. From an analysis of these narratives, a complex and multi-faceted image of the individual as ´voluntary actor´ is proposed. Some of the implications of such an image for our undestanding of the relationship between the individual and voluntary action are examined. Following postgraduate research in History, Andrew O´Regan spent 10 years working in Civil Society Organisations in Ireland before joining the School of Business, Trinity College. He is Programme Director of the Centre for Nonprofit Management there and teaches on undergraduate and postgraduate programmes. His research is concerned primarily with understanding the relationship between individual meaning and social identity, and the functioning of civil society organisations in the creation and enactment of values in society.