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An Actor Named Molière
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An Actor Named Molière ab 31.99 € als Taschenbuch: . Aus dem Bereich: Bücher, Belletristik, Lyrik, Drama & Essays,

Anbieter: hugendubel
Stand: 27.09.2020
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El enfermo imaginario [The Imaginary Invalid] ,...
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Molière (1622-1673)Jean-Baptiste Poquelin (nombre real de Molière), nació el 15 de enero de 1622 en París (Francia). Hijo de un acaudalado tapicero real llamado Jean Poquelin y de Marie Cressé. Estudia con los jesuitas en Clermont y en 1642 se licencia en Derecho por la Universidad de Orleans, tras lo cual comienza una carrera como actor y autor teatral. En 1643 conoce a la actriz Madeleine Béjart. Junto a Madeleine funda y dirige la compañía teatral L´Illustre Theatre, en ese momento adopta el apelativo de Molière, especialmente para no ser identificado con su familia, disconforme con la elección profesional de su hijo. En 1662 contrae matrimonio con la actriz Armande Bejart, la hermana de Madeleine, que era veinte años menor que Molière. Sus comedias se convirtieron en un éxito de público. El 17 de febrero de 1673, mientras Molière está interpretando la obra "El enfermo imaginario", comienza a sentirse indispuesto, lo trasladan rápidamente a su hogar, pero fallece de hemoptisis casi en el acto. En el momento de su actuación, iba vestido de amarillo, color maldito a partir de ese momento para los intérpretes teatrales.El Enfermo ImaginarioArgán es prisionero de sí mismo. El terror a la muerte y el miedo a enfrentarse a la vida le tienen encadenado a su propio lecho, nada le importa, ni su familia, ni su mujer; es una persona cegada y egoísta, a la vez víctima y verdugo. Tan solo la astucia de Toñita, la criada, auténtico motor de la acción hará posible un desenlace donde triunfe el amor y queden en evidencia los intereses de las malas personas.Please note: This audiobook is in Spanish. 1. Spanish. Txema Regalado. http://samples.audible.de/bk/near/000041/bk_near_000041_sample.mp3.

Anbieter: Audible
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The Misanthrope, Hörbuch, Digital, 1, 110min
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This timeless comedy of manners is considered one of Molière's most probing and mature works. While it's still an exemplar of 17th century farce, Molière went beyond his usual comic inventiveness to create a world of rich, complex characters, especially in the cynical title character Alceste, played here by the Tony Award-winning actor Brian Bedford.Includes an interview with Larry F. Norman author of The Public Mirror: Molière and the Social Commerce of Depiction.Recorded at The Invisible Studios, West Hollywood in June 2012.Lead funding for this production was made possible with support by the Sidney E. Frank Foundation.Directed by Rosalind AyresProducing Director Susan Albert LoewenbergAn L.A. Theatre Works full-cast performance featuring:Brian Bedford as AlcesteJD Cullum as ClitandreSarah Drew as ElianteMartin Jarvis as PhilinteDarren Richardson as Basque, Du BoisSusan Sullivan as ArsinoeNick Toren as OronteMatt Wolf as Acaste, GuardBellamy Young as CelimeneAssociate Producer: Christina Montaño. Recording Engineer, Sound Designer, Mixer: Mark Holden for The Invisible Studios, West Hollywood. Stage Manager, Michael Rhea. 1. Language: English. Narrator: Brian Bedford, J. D. Cullum, Sarah Drew, Martin Jarvis, Darren Richardson, Susan Sullivan, Nick Toren. Audio sample: http://samples.audible.de/pf/latw/000357/pf_latw_000357_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
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Zacharie Jacob
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online.Zacharie Jacob (died 1667), known as Montfleury, was a famed French actor and playwright of the 17th century. Jacob was born in Anjou during the last years of the 16th century. He was enrolled as one of the pages to the duc de Guise, but he ran away to join some strolling players, assuming the stage name of Montfleury. About 1635, he was a valued member of the company at the Hôtel de Bourgogne, and he was in the original cast of the Cid (1636) and of Horace (1640).Richelieu thought highly of him, and when in 1638, Montfleury married the actress Jeanne de la Chalpe (d. 1683), the cardinal desired the ceremony to take place at his own country house at Rueil.He was the author of a tragedy, La Mort d''Asdrobal, performed in 1647. His son, Antoine Jacob, who was also known as Montfleury, was a rival of Molière and Cyrano de Bergerac. Both father and son feuded with Molière. Zacharie was mocked for his girth in a Molière play, to which Antoine responded with one mocking Molière. Shortly before his death, Zacharie denounced Molière to King Louis XIV as having committed incest, a rumor which has never gone away.

Anbieter: Dodax
Stand: 27.09.2020
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Colley Cibber
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High Quality Content by WIKIPEDIA articles! Colley Cibber was an English actor-manager, playwright and Poet Laureate. His colourful memoir Apology for the Life of Colley Cibber (1740) describes his life in a personal, anecdotal and even rambling style. He wrote 25 plays for his own company at Drury Lane, half of which were adapted from various sources, which led Robert Lowe and Alexander Pope, among others, to criticize his "miserable mutilation" of "crucified Molière [and] hapless Shakespeare". He regarded himself as first and foremost an actor and had great popular success in comical fop parts, while as a tragic actor he was persistent but much ridiculed. Cibber's brash, extroverted personality did not sit well with his contemporaries, and he was frequently accused of tasteless theatrical productions, shady business methods, and a social and political opportunism that was thought to have gained him the laureateship over far better poets. He rose to ignominious fame when he became the chief target, the head Dunce, of Alexander Pope's satirical poem Dunciad.

Anbieter: Dodax
Stand: 27.09.2020
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Molière
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Jean-Baptiste Poquelin, mostly known by his stage name Molière was a French playwright and actor who is considered one of the greatest masters of comedy in Western literature. Among Molière's best-known dramas are Le Misanthrope, L'École des femmes, Tartuffe ou L'Imposteur, L'Avare ou L'École du mensonge, Le Malade imaginaire, and Le Bourgeois gentilhomme. Born into a prosperous family and having studied at the Collège de Clermont, Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comic abilities while he began writing, combining Commedia dell'Arte elements with the more refined French comedy Through the patronage of a few aristocrats, including Philippe I, Duke of Orléans -- the brother of Louis XIV -- Molière procured a command performance before the King at the Louvre. Performing a classic play by Pierre Corneille and a farce of his own, Le Docteur amoureux, Molière was granted the use of salle du Petit-Bourbon at the Louvre, a spacious room appointed for theatrical performances. Later, Molière was granted the use of the Palais-Royal

Anbieter: Dodax
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Rachida Brakni
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High Quality Content by WIKIPEDIA articles! Rachida Brakni (born 15 February 1977, Paris) is a French actress of Algerian origin. She is married to the football hero turned film actor Eric Cantona, whom she met on the filmset of Outremangeur in 2002. In 1997, she joined the Comédie Française, as a member of which she won a Molière Award for her performance in Ruy Blas. In 2002, she was awarded the César Award for Most Promising Actress for her performance in Chaos. Rachida is currently directing her husband in Face au paradis (Faced with paradise), a contemporary play, written by a young French playwright, Nathalie Saugeon. The production opens at Theatre Marigny on the Champs Elysees on 26 January 2010.

Anbieter: Dodax
Stand: 27.09.2020
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Über die Maske des Schauspielers in den theater...
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Studienarbeit aus dem Jahr 2009 im Fachbereich Theaterwissenschaft, Tanz, Note: 1,7, Johannes Gutenberg-Universität Mainz (Institut für Theaterwissenschaft), Veranstaltung: Hauptseminar: Maske - Rolle - Person, Sprache: Deutsch, Abstract: Der aufgeklärte Mensch des 21. Jahrhunderts erfasst sein Leben in der Gesellschaft gleich einem Schauspiel auf dem Theater. Er hat seine den soziologischen Bedingungen angepasste Rolle richtig zu spielen und bedient sich daher verschiedener Attribute der Maskerade, wie beispielsweise der Schminke. Seine Alltags-Maske wird zu einem Gesellschaftsspiel und das alltägliche Theater mit Masken zu einer surrogativen Wirklichkeit, einer Doppelung von Realität des menschlichen Seins - der Grundbedingung jeden Theaters. Die Theater-Maske, von welcher im Folgenden die Rede sein soll, entwickelte sich von der Entstehung des antiken Theaters im alten Griechenland über das theatralische Masken-Spiel im 16. Jahrhundert durch die italienische Kunstgattung der commedia dell'arte, über das französische Theater eines Molière und das elisabethanische Theater Shakespeares bis in die heutige Zeit, in der die Schmink-Maske zu der am meisten verwendeten Maskenart gehört, welche die Typisierung einer Figur mittels entsprechender Frisur, symbolisierter Farbgebung und stilisierter Linienführung betont. Hatte in der Geschichte des Maskengebrauchs das bürgerliche Theater des 19. Jahrhunderts die Maske noch von der Bühne verbannt, um so den individuellen Menschen, den vielschichtigen Ausdruck seiner Persönlichkeit, seiner innersten Gefühle, darzustellen, richtete sich die avantgardistische Strömung zu Beginn des 20. Jahrhunderts gegen diesen allzu beliebigen Gebrauch von Mimik und Gestik auf der Bühne. In seiner Schrift 'The Actor and The Über-Marionette' forderte der britische Theaterreformer Edward Gordon Craig die Abschaffung des Schauspielers und die Einführung, beziehungsweise die Entwicklung einer Über

Anbieter: Orell Fuessli CH
Stand: 27.09.2020
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The Commedia dell'Arte of Flaminio Scala
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The Commedia dell'Arte of Flaminio Scala presents a translation and commentary of selected scenarios composed or collected by the actor-manager Flaminio Scala that were first published in 1611. Thirty of Scala's 50 scenarios are included, complete with a detailed scene-by-scene analysis that demonstrates the methodology of Italian improvised theatre in the early modern period for the purposes of study as well as re-creation. Taking into consideration previous translations of the work, Richard Andrews's English translation and lengthy analytic commentary of the scenarios provide an overview of the commedia dell'arte style, describing how actors fleshed out scenes by inserting existing material from their repertoire into a plot framework and demonstrating a constant interchange of plot, characterization, and scene structure that moved between scripted and improvised comedy. Andrews points out similarities between the scenarios, borrowings from earlier Italian scripted comedies, analogies with other early modern drama including Shakespeare, and the re-use of these components by later dramatists such as Molière and Goldoni. An extensive introduction sets the parameters for the commentaries, giving a description of commedia dell'arte as a phenomenon, explaining the categories of masked characters, and describing the nature and structure of the genre. A comprehensive index is organized for quick reference and lists which characters and masks appear in which scenarios, as well as frequent scenic components that recur, such as types of speeches, relationships, and emotional situations.

Anbieter: Orell Fuessli CH
Stand: 27.09.2020
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